Tango is not just a fascinating dance—it is a rich philosophy, culture, and way of life. The search of tango is the search of connection, love, fellowship, unity, harmony, and beauty—an idealism that is not consistent with the dehumanizing reality of the modern world. The world divides us into individuals, but tango brings us together as a team. In tango we are not individualists, feminists, nationalists, Democrats, or Republicans—we are simply human, intertwined and interdependent. Tango invites us to tear down walls, build bridges, and rediscover our shared humanity through connection, cooperation, accommodation, and compromise. It is a dance that reminds the world how to love.
December 28, 2017
The Elegance of the Milonguero Style
In contrast to some tango styles that evoke a bustling casino, the milonguero style of tango reminds me the quiet harmony of a Zen garden—an oasis of austerity, serenity, peace and natural beauty designed for silent contemplation. This style prioritizes inner experiences, rendering outward appearances less important. It is danced with simple and natural steps, using minimal adornments to avoid unnecessary distraction, allowing the dancers to focus inwardly on feelings.
This, however, does not diminish its visual appeal. On the contrary, the style exudes a natural, understated, and elegant beauty that is second to none. The following is an example.
Dancing with Cadencia
The key element responsible for the elegance of the style is cadencia. The woman leans on the man with her chest gently pressing against his chest, enabling him to use the connection to swing her torso, causing her hip and leg to dangle in a chain reaction. Note that the woman does not use her thigh to activate her leg, but lets her leg follow the motion of the torso and hip to sway. Her attention is on the lateral motion rather than the vertical action of stepping down. This allows her body to swing gracefully with each step.
Dancing with the Hips
In doing so she needs to swivel her hips so that her free leg may take advantage of the inertia to swing either in roughly the same direction, or reversely in the opposite. Since their torsos are attached, she needs to swivel her hips to dance around him. She needs to swivel her hips when she does movements that involve changing of direction, such as front ocho, back ocho, molinete, and so on. In short, hip rotation is used all the time in her dance, highlighting the flexibility and beauty of her feminine body. The milonguero style does not emphasize footwork, so she can focus on presenting the beauty of her body, making the movement graceful, refined, and noticeable, adding elegance to her dance (see Dancing with Hips).
Dancing More Slowly
To infuse elegance into the dance, it is essential to moderate the tempo. Racing to keep up with the beat often compromises grace—a common issue in tango. Instead of chasing the rhythm, the man should provide the woman with ample time to execute each step, while the woman should focus on crafting her movement with poise and sophistication to heighten its elegance, as seen in the example above. Here's another demonstration.
Dancing with Smple, Natural Steps
Another element crucial to the elegance of the style is using simple and natural steps. Some tango styles are known for their intricate footwork and showy choreography, which, although may be beautiful in some way, lack naturalness and elegance. The following is an example.
While impressive by some standards, a display like this relies on complex steps, exaggerated movements, and excessive embellishments. It looks busy, garish, far-fetched, and beat-chasing, but lacks the confidence, serenity, ease, simplicity, naturalness, and elegance of the milonguero style. Moreover, it does not align with the melancholy mood of the music (see Dancing to Melody - Poema).
In contrast, the previous couples employ austere steps, focusing inwardly on quiet contemplation. The man leads by gently swinging the woman's body. The woman maintains a tall and straight posture while swinging gracefully, letting her intrinsic, natural beauty manifest itself.
Audrey Hepburn Said, "Elegance is the only beauty that never fades." I am convinced of that (see Embracing Elegance).
Subscribe to:
Post Comments (Atom)
This is very solid, constructive criticism and practical advice. Demir & Marques are higher skilled dancers than I'll ever be, but the sequence from 2:55-3:05 is almost laughable. The only thing that is missing is the brass pole.
ReplyDeleteI hope festival organizers get this message too. I'm really tired of the workshop teacher's gymnastic performances. I don't like to see the women dressed like circus performers. More Audrey Hepburn and less Dancing With the Stars.