Tango is not only a fascinating dance but also a fascinating philosophy, culture and lifestyle. The search of tango is the search of connection, love, fellowship, unity, harmony and beauty, i.e., an idealism that is not consistent with the dehumanizing reality of the modern world. The world divides us into individuals, but tango unites us into a team. In tango we are not individualists, feminists, nationalists, Democrats, Republicans, etc., but interconnected and interdependent members of the human family. Tango calls us to tear down the walls, to build bridges, and to regain humanity through altruism, connection, cooperation, accommodation, and compromise. It is a dance that teaches the world to love.



March 7, 2013

The Four Stages of the Tango Journey


If tango to you is only what your eyes perceive—the steps—then you are at the earliest stage of your tango journey. The intangible aspects of tango remain beyond your grasp at this point. However, you should not be deceived by the steps. They represent only the tip of the iceberg. Tango is a multifaceted art form. While steps are essential to dancing tango, there are things more important that you must learn first. At this stage, you should concentrate on developing good posture, embrace, connection, balance, stability, lightness, dissociation, pivot, torso leading/following, and walking (see Tango Is a Language (I)). Many students attempt to learn advanced steps when their posture is still awkward, their body is still stiff and heavy, their embrace is still broken, their walk is still clumsy, they still can't lead or follow with the torso, and they still need to hold on to the partner for balance and stability. Consequently, the complex steps they learn carry little significance and only exacerbate their bad habits. At this stage, it is vital to resist the temptation for quick results. Instead, adopt a structured and gradual approach, dedicating time to mastering fundamental skills and building a strong foundation (see Imitating Steps vs. Developing Skills). This approach may seem slow at first, but it will ultimately enable faster progress in the long run.

Once you’ve moved beyond the introduction stage and begun dancing tango socially, you enter the second stage of your tango journey. At this stage, you continue to learn steps, but your primary focus should shift to correcting bad habits and cultivating good ones. If your personal practices do not align with tango standards, or if you developed poor habits during the first stage, now is the time to address them. This stage can be long and challenging because the habits you have accumulated over a lifetime are not easy to break. It requires patience and hard work. You need a good teacher to guide you and help you correct your bad habits bit-by-bit. Practicing in front of a mirror or videotaping your dance can help you analyze your posture, embrace, connection, coordination, and movements. You must make a constant, conscious effort to overcome your old habits until you have ingrained the correct way of dancing tango and internalized the proper posture, embrace, connection, movements, and techniques that adhere to the aesthetic standards of tango.

As your dance begins to embody the distinctive tango aesthetic, you enter the third stage of your tango journey. At this stage, your attention starts to shift from external elements to the internal ones. Once steps are no longer an obstacle, you can focus on the intangible aspects of the dance. You need to enhance your musicality, familiarize yourself with music across different genres, tempos, rhythms, moods, and orchestras, and learn to dance to different pieces differently. You should work on expressing the music and your emotions through your dance—pausing, embellishing your steps, dancing with both slow and fast motions, and incorporating advanced techniques that prioritize not only the appearance but also the feeling of the dance, such as cadencia and the gear effect. Additionally, you need to work on your body's flexibility and coordination, refine your connection and communication, and enhance your ability to effect the movement of your partner's body with your body. You also need to go beyond the technical aspects and become a socially adept dancer. This involves learning the philosophy, culture and etiquette of tango. As your skills grow and your perspectives broaden, you will begin to see beyond yourself.

The ability to see beyond yourself marks the most significant transformation, signaling your entry into the final stage in your tango journey. At this stage, you begin to focus on your partner, to feel their emotions and feelings, to interprete their musical expression, to adapt and accommodate their dance, and to be one with them. You no longer dance to showcase your skills, but to provide comfort and joy to your partner. Tango is no longer just about steps; it becomes an expression of love. Your lead becomes less difficult and forceful, but gentle, thoughtful and suited to the ability of your partner. You want her to feel free and enjoy the dance. Your follow becomes less bumpy and counteractive, but fitting, smooth, light and in harmony with your leader. You want him to feel comfortable and enjoy you. You start to understand the essence of tango and see tango as what the milongueros see it. Now, you are at the top of the game.



4 comments:

  1. Hi Paul,

    This one was very interesting. As I read it, I think back at the last four years since I started Tango. The four stages are exactly as it happened to me. I feel I am at stage four, at the top of my game (but still have so much to learn and improve). My partner is all that matters to me now. Listening to every thing she has to say with out speaking a word and adjusting as needed. I have so much more fun at Milongas now than ever before. I may not dance much but when I do, it is a wonderful experience (most of the time). I focus more on the quality and not quantity of the dance.

    I do have one question for you. Do you think that some people get stuck in one of those early stages? The reason I ask is because I know some people that have been dancing much longer then I have, yet they seem to dance the same way every time. Some will explain or teach their partner during a tanda because they are trying to do some fancy complicated steps that their partners are not familiar with.

    Thanks for posting. I always learn some thing when I read your blog.

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  2. Dear Anonymous,

    Thank you very much for the comment! You are fortunate to have discovered what took me much longer to discover—the joy of dancing for my partner. I do agree with you that some people seem get stuck in themselves. That’s why I want them to see beyond. In fact we can’t draw a clean line between the stages. People who find the joy in dancing for others may still need to improve their skills in order to truly be able to dance for others, or dance better for others. Our tango journey will never end. Your experience is an encouraging example. Thank you for sharing!

    Paul

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  3. Hi Paul,

    Thanks for the reply. Well, I have to tell you that it was your blog that help me discover the fourth stage. I was stuck some where in the early stages before reading your blog. I have read every one of your post, some of them numerous times. I had to reevaluate what I wanted out of Tango after reading your post. The funny thing is, I have stopped going to all the Tango workshops. I really never got much out of them or at least any thing useful for a social Milonga. I only take private lessons from two teachers from Buenos Aires. One is a man that helps me from the leader’s perspective and the other is a lady that helps me from the follower’s perspective. The advantage of taking private lessons is that I have control over what I want them to teach me. I tell them what I want to learn or work on. Where as in a workshop, they teach what ever they think students want or need to know. The other interesting thing is that I found my self going back to the basics. I work a lot on the basics such as walking, cadence, embrace and a few other things.

    Sorry for the long reply. Please keep sharing your thoughts, knowledge and experience with us.

    Take care,

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  4. Sadly, I approached tango in a different way, through musicality and respect for partner, and I had no idea about steps. After two years, I really wanted to learn how to stop. I got a break through when I saw an old guy I respected dance, it was almost the complete opposite of what I had been doing.

    The reason why i say sadly is because I haven't been able to progress sequentially. I am not confident. I can dance with a woman now and feel like a complete klutz. Why? Because I have always followed the follower. And if that follower tries to lead, I am done for. If they are generous enough to simply keep following, then there is a chance we achieve tango.

    You have progressed in a method which is solid and dependable. Sometimes I yearn for that. But it has not been my way. I respect your method, but my life would be easier if people recognised it was not the only method, and may forgive my... more unorthodox approach to each and every dance.

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