Tango is not only a fascinating dance, but also a fascinating idea, philosophy, culture, and lifestyle. In many ways, tango is a metaphor of life. The pursuit of tango is the pursuit of connection, love, unity, beauty, harmony and humanity, i.e., an idealism that is not consistent with the dehumanizing reality of the modern world. The world divides us as individuals, but tango unites us as a people and species. In tango we are not individualists, feminists, nationalists, liberals, conservatives, Democrats, Republicans, etc., but interconnected and interdependent members of the human family. We are humanists. Tango calls us to tear down the walls, to build bridges, and to regain humanity through connection, cooperation, reconciliation and compromise. If you share this conviction, please join the conversation and let your voice be heard, which is urgently needed and long overdue.
Together we can awaken the world.
April 20, 2018
January 3, 2018
Stepping on the beat and dancing to music are not one and the same thing. The former is the basic of musicality, but it is not the most important and sophisticated. Beats are rhythmic stresses that regulate the speed of music. They are interrupted and unemotional. Stepping on the beat is like jumping, the focus is on the accent, and the movement is broken and dry.
The most important thing in dancing is to express the emotion of music, which lies not in beats but in melody. Melody is the linear, sweet and emotional tone in music that adds feelings, beauty and fluidity to music. Dancing to melody is like driving, the focus is on the linear tone, and the movement is continuous and smooth.
In dancing, we can focus on the beats, or we can focus on the melody, which lead to different dance styes. When we focus on the beats, we wait for the beat to come and step on it with force, the movement is sudden, short and incoherent. Here is an example.
This song, Poema, like most tango songs, is nostalgic and melancholy. "Tango is a sad feeling that is danced." - said Enrique Santos Discepoloo. The lyrics of the song were written by Eduardo Bianco, who played the first violin in the orchestra of Teatro Apolo in 1927. Bianco learned that his wife cheated on him with the pianist of the orchestra and shot his rival to death in a fit of jealousy. The lyrics reflected his pain and regret. Here is the English translation by Alberto Paz.
It was a dream of sweet love,
hours of happiness and loving,
it was the poem of yesterday,
that I dreamed,
of gilded color,
vain chimeras of the heart,
it will not manage to never decipher,
so fleeting nest,
it was a dream of love and adoration.
When the flowers of your rose garden,
bloom again ever so beautiful,
you'll remember my love,
and you will come to know,
all my intense misfortune.
Of that one intoxicating poem,
nothing is left between us,
I say my sad goodbye,
you'll feel the emotion,
of my pain…
The music was composed by Mario Melfi in 1932, which was arranged by Francisco Canaro in 1935. Only the last two stanzas were sung in the Canaro's version, by Roberto Maida.
Dancing to Poema, you need to put yourself in the shoes of the poet - like you were biding sad farewell to your past love. You still need to step on the beat, but you don't do it in a sudden and broken way. Rather, you focus on the emotion of the melody and let your steps be even-paced and continuous. Here is an example.
Notice that the couple in this example did not chase the beats, but danced slowly, as were reluctant to let go each other. Their steps are much more supple, fluid and melodious, matching the melancholy mood of the song.
I often feel my partner still focuses on the beats when I try to lead her dance to the melody, which is not surprising given that most students are only taught to step on the beat. Next time you dance Poema, try to focus on the melody instead of the beats. The key is to control the speed of the movement to let it be even-paced rather than sudden and broken - especially if you are a woman, who represents the melodic or feminine mood of the dance. (See The Characteristics of Classic Tango.)
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