As a comprehensive art form, tango is different things to different people: to men it is leading, to women it is following, to novices it is steps, to veterans it is feelings, to lovers it is a relationship, to peacocks it is a display, to social dancers it is a dissipation for personal pleasure, to professionals it is a job to entertain others, to heterosexuals it is a gender expression, to homosexuals it is a gender-neutral play, to ordinary people it is a simple interest, to Milongueros it is a lifestyle, to foreigners it is only a dance, to Argentinians it is also a deeply rooted culture... We all understand and dance tango differently for who we are and what philosophy we have.
Tango philosophy involves issues that make us different. The following is an incomplete list of such issues. Each may have many answers. Every dancer is entitled to his/her own opinions. Some may be more or less correct or incorrect, others may just be personal preferences and neither right nor wrong. But collectively these opinions and preferences define the way each of us dances and behaves, and put us into different categories. Studying and exchanging views on these issues can help us deepen our understanding, learn from each other, improve our dance, and, hopefully, achieve mastery through a comprehensive grasp of all aspects of tango.
21. Pluralism vs. monism
25. Progressive dancing vs. spot dancing