Tango is not only a fascinating dance but also a fascinating philosophy, culture and lifestyle. The search of tango is the search of connection, love, unity, beauty, harmony and humanity, i.e., an idealism that is not consistent with the dehumanizing reality of the modern world. The world divides us as individuals, but tango unites us as a people and species. In tango we are not individualists, feminists, nationalists, liberals, conservatives, Democrats, Republicans, etc., but interconnected and interdependent members of the human family. Tango calls us to tear down the walls, to build bridges, and to regain humanity through connection, cooperation, reconciliation and compromise. It is a dance that teaches the world to love.
August 29, 2009
I like everything about Argentine tango: its music, passion, beauty, its artistic, sportive, social and recreational functions, and its culture (milonguero legends, milonga codes, cabeceo, and even machismo, etc.). All of these, however, would not mean so much if tango were not danced by a man and a woman. As Susana Miller said, “If you like tango, then you like women.” Let’s face it, at bottom it is women who attract men to tango, and vice versa. Although to some degree that is true with all partner dances, tango is different. It is much more intimate, physical and sensual.
One BBC commentator remarked, “Tango contains a secret about the yearning between men and women.” That is right on. The yearning, however, is not necessarily a sexual one. I believe tango fulfills a human need for affinity with the opposite sex in a nonsexual way. Our society is so sex oriented that this innocent yearning between men and women is often being deprived. Any intimacy between the opposite genders is deemed sexual, therefore, is repressed either voluntarily or involuntarily. Men and women cannot be intimate unless they want to have sex. In other words, our culture does not approve innocent intimacy between the opposite genders.
But Argentine tango represents a different view, or culture, that sanctions nonsexual intimacy. Tango is a product of that culture. (See Tango: Historical and Cultural Impacts.) In this context tango is not just a dance. It is a way by which that innocent human desire can be met with stylized sophistication and elegance under a set of rules designed to maintain the dignity and decency of the activity. That is why milonga codes are such an important part of tango. The influence of tango, I believe, is by far more cultural than artistic. Tango is now becoming a worldwide phenomenon for a reason. It serves a fundamental human need and fulfills that innocent yearning between men and women.
But that aspect of tango is still new to the Americans, as attested by the way we embrace tango. We dance tango as but another ballroom dance. We are not intimately engaged to each other in the dance. Many of us still shy away from close embrace, and prefer open embrace instead, which, although rarely seen in Buenos Aires, is the dominant style in American tango. Cabeceo and milonga codes are not taught and practiced at most milongas in the US. The general culture in our tango community is still more individualistic, independent, competitive and even hostile than intimate, friendly, accommodating and cooperative. Those who have visited Buenos Aires know what I compare with. (See Close Embrace and Open Embrace (II).)