Tango is not only a fascinating dance but also a fascinating philosophy, culture and lifestyle. The search of tango is the search of connection, love, unity, beauty, harmony and humanity, i.e., an idealism that is not consistent with the dehumanizing reality of the modern world. The world divides us as individuals, but tango unites us as a people and species. In tango we are not individualists, feminists, nationalists, liberals, conservatives, Democrats, Republicans, etc., but interconnected and interdependent members of the human family. Tango calls us to tear down the walls, to build bridges, and to regain humanity through connection, cooperation, reconciliation and compromise. It is a dance that teaches the world to love.




March 18, 2017

Dancing around the Man


Tango masters Alberto Pas and Valorie Hart first discussed this important concept in 1998: the man dances around the floor and the woman dances around the man. But many students today still don't know what that means. Simply put, it means in his responsibility to follow traffic the man often needs to step a little bit away from the woman and it is the woman's job to stay close to him.

Many women may think that they dance close enough to the man but they do not. Uncomfortable or unaccustomed to intimacy, novice women often lean back to keep a distance from the man. Many prop with their arms against the man to create an extra room to maneuver their untrained body. Their steps are too big, which take them away from the man. Some deliberately step away in attempt to be fancy. Many never learned to dance in close embrace and don't know how to move around the man in a compact way.

Tango is an intimate dance. To truly enjoy tango the woman needs to dance really close to the man. Close does not mean within an arm's length. In tango, close means integrating into his body and being one with him. The man dancing around the floor needs to keep up with traffic. The woman dancing around the man must stay close and not step away from him. To do that the woman needs to dissociate her lower body from her upper body, i.e., to swivel her hips to let her lower body face a different direction so she can dance around the man without breaking the embrace. (See Dissociation and Gear Effect.) She must keep her torso always connected to the man while swiveling her hips side to side in the dance. A woman who cannot dissociate her lower body often turns her whole body instead, causing the rupture of the embrace and awkwardness of the movement, which is why dancing with her is uncomfortable.

Dancing around the man often involves molinete, a figure in which the woman dances around the man who serves as the anchor for her rotation. Their torsos are connected and the woman only rotates her hips side to side in order to make four steps, a front step, a side step, a back step, a side step, circulating the man. Every tanguera knows the figure but executing it in a coherent way so it feels smooth, musical and comfortable is not easy. In fact, most women cannot do molinete well because of the lack of training in dissociation. 

Where she places her foot is also important. A common problem is that she steps away to avoid touching his leg. But touching is what she should do to make the movement compact. The woman must not be afraid of intimacy and touching. However, she needs to imagine a circle with a radius of one foot from his foot and always place her foot on that imaginary circle when she dances around him, because while stepping away from him will cause incoherence, stepping too close to his foot will cause her lose the leaning position when the turn is completed.

In short, four things are critically important: First, establishing the concept of dancing around the man, which means integrating into his body and being one with him. Second, maintaining a good embrace in a slightly leaning position to secure the connection and mutual sport. Third, spending a lot of time to practice dissociation (especially in the molinete sequence) until you are versed in swiveling the hips while maintaining the torso connection with the man. Finally, being careful about the details, including how to move around him and where to place your foot, so the two of you may always remain connected in the dance. For a woman, learning tango is not mainly learning steps but learning to be one with the man. Tango is an intimate dance. How you dance it could make a big difference.




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