Tango is not just a fascinating dance—it is a rich philosophy, culture, and way of life. The search of tango is the search of connection, love, fellowship, unity, harmony, and beauty—an idealism that is not consistent with the dehumanizing reality of the modern world. The world divides us into individuals, but tango brings us together as a team. In tango we are not individualists, feminists, nationalists, Democrats, or Republicans—we are simply human, intertwined and interdependent. Tango invites us to tear down walls, build bridges, and rediscover our shared humanity through connection, cooperation, accommodation, and compromise. It is a dance that reminds the world how to love.
January 26, 2024
Understanding China: Yellow River and the Character of the Chinese Nation
China is a vast country, comparable in size to Europe. Roughly two-thirds of its landmass is mountainous, with terrain that rises in the west and gradually descends toward the east. The western region is dominated by towering mountain ranges, many exceeding 5,000 meters in elevation. Chief among them are the Himalayas, whose highest peak soars to 8,848 meters above sea level. In contrast, the eastern region transitions into a broad plain, dipping to below 50 meters above sea level.
The Yellow River, China’s second longest, originates in the Bayan Har Mountains of Qinghai Province at an altitude of 5,369 meters. It flows from west to east, traversing the Qinghai-Tibet Plateau, the Loess Plateau, the Inner Mongolia Plateau, and the North China Plain, before emptying into the Bohai Sea. Its basin covers approximately 795,000 square kilometers and spans nine provinces: Qinghai, Sichuan, Gansu, Ningxia, Inner Mongolia, Shaanxi, Shanxi, Henan, and Shandong.
Millions of years ago, the area east of the Taihang Mountains in central North China (indicated on the map below) was part of the ocean. The North China Plain—occupying the upper two-thirds of the green area on the map—was formed through the accumulation of sediment from the Yellow River over millions of years. Flowing through the Loess Plateau, the river collects an immense amount of silt. It transports 1.6 billion tons of sediment downstream every year, about a quarter of which settles along the river’s course, and the rest washes into the Bohai Sea. The buildup of silt in the river’s lower reaches gradually raises the riverbed. Every once in a while, the Yellow River changes its course due to the blockage of large amounts of sediment. Wherever the terrain is lower, that's where the diverted river flows, carrying sediment with it and filling in depressions. For millions of years, sediment from the Yellow River has filled the low areas back and forth, created the vast North China Plain, which is larger than Britain. Today, the Yellow River is still reclaiming land from the sea and steadily pushing the coastline eastward. Scientists estimated that the Bohai Sea may be filled in within a few hundred years, further expanding the North China Plain.
Archaeology has revealed that eight thousand years ago people were already living on this land created by the Yellow River. The North China Plain—the cradle of Chinese civilization—has long been the most densely populated, economically vibrant, and culturally prosperous region in China, thanks to its fertile soil, temperate climate, and abundant rainfall brought by the Pacific monsoon that made this region ideal for agriculture. But while the Yellow River has nourished the people living on this land, it has also brought them devastation. As the riverbed rose, people were forced to continuously reinforce embankments to protect farmland and settlements on both sides. Over time, the riverbed gradually rose above the surrounding ground; in some areas, it now stands 5–10 meters above the terrain, turning the river into a "hanging river." Once an embankment breaks, it unleashes catastrophic flooding, sweeping away everything in its path. Historical records show that, in the past 2,500 years, the Yellow River has burst its banks 1,593 times and changed its course 26 times. Each time the river floods, tens of thousands, hundreds of thousands, or even millions of people are killed or displaced. The Yellow River flood of 1897, related to domestic unrest and poor maintainance, claimed the lives of two million (some say seven million) people. Efforts to manage the river have never stopped since ancient times. Perhaps no people in the world have had such a complex and paradoxical relationship with their mother river as the Chinese. They are deeply grateful for the nourishment she provides, yet they also harbor sorrow and frustration over her destructive force. But it is precisely through this intimate, turbulent relationship that the Yellow River has forged the perseverance, tenacity, hard work, and resilience of the Chinese people.
Chinese parents often use strict discipline to train their children, preparing them to face the severe challenges of life. This is not unrelated to the fact that they themselves grew up under the temper of the Yellow River. Westerners who embrace individualism tend to prioritize children’s independence and self-expression. Chinese parenting emphasizes perseverance, endurance, responsibility, and team spirit. This approach is deeply connected to their harsh living environment. In front of the Yellow River, individuals are insignificant. Controlling the Yellow River relies on collective strength. Therefore, Chinese philosophy places great emphasis on collectivism and teamwork. Western philosophy conceptualizes individuals as independent actors, prioritizing personal interests over collective concerns. In contrast, Chinese philosophy perceives individuals as interconnected and interdependent members of society with a common destiny and shared interests and responsibilities. This prioritization of collective concerns over individual interests is heavily influenced by their shared burden imposed by the Yellow River.
The fertile, rich, yet troubled land of the middle and lower reaches of the Yellow River allows the people living there to not only enjoy the blessings of the river but also face the challenges it brings. This paradox has nurtured the dialectical thinking of the Chinese people. Unlike Westerners who often perceive things in stark black-and-white terms, the Chinese recognize that opposing forces (yin and yang) coexist in all things, much like the river itself. Good fortune and misfortune, they believe, are interdependent. This awareness enables them to approach life with balance and equanimity, remain cautious in times of peace, and find opportunity in adversity. Chinese philosophy discourages simplistic and extreme ideologies, such as individualism, feminism, Darwinism, unipolarism, hegemonism, or zero-sum thinking. Instead, it embraces the idea that diverse elements complement and coexist peacefully, akin to the harmony between the sexes. The Confucian doctrine of the mean advocates for moderation, balance, and harmony amid contradiction. This seemingly modest approach allows them to coexist harmoniously within an environment that is both contradictory and integrated. This orientation also underlies the traditional Chinese aversion to factionalism and partisan politics—a perspective shaped, in part, by their experience with the Yellow River’s unpredictability and the need for unity in the face of natural disaster. (See Philosophies that Separate Two Worlds.)
Managing the Yellow River—an enormous task that spans vast territories and demands massive manpower, meticulous planning, and nationwide coordination—necessitates a unified, centralized government with strong planning and organizational capabilities. This need has deeply influenced China's political development. The emphasis on stability in Chinese political culture is rooted in the recognition that only a stable and capable government can manage a river of such scale. In fact, the origins of Chinese state power can be traced back to river management. Dayu, the founder of the Xia Dynasty (circa 2070 BC–1600 BC), the first dynasty recorded in Chinese history, was revered for organizing the people to regulate the Yellow River. With thousands of years of experience, the Chinese have become skilled at mass mobilization and organization, honing themselves into the most disciplined and well-managed people. This collective capability has enabled China to weather its greatest challenges. By contrast, the Western political model—based on individualism and partisanship, where competing interest groups take turns governing—may serve special interests well, but it does not align with China’s unique needs.
In conclusion, the character, philosophy, culture, and political system of the Chinese nation are deeply rooted in their relationship with the Yellow River. This influential river nurtures the people to embody qualities such as resilience, solidarity, generosity, magnanimity, and wisdom—reflecting the attributes of their mother river. A civilization that has endured and overcome such severe challenges for millennia is formidable—and must never be underestimated.
(See also: Understanding China: Geography, Confucianism, and the Chinese-Style Modernization.)
January 17, 2024
Paola Tacchetti
Zhou Dunyi (1017–1073), a Confucian scholar of the Northern Song Dynasty (960–1127), wrote a beautiful essay titled On the Love of the Lotus. Below is an English translation:
"There are many kinds of lovely flowers and plants. Tao Yuanming of the Jin Dynasty loved only chrysanthemums. Since the Tang Dynasty, admiration for peonies has become fashionable. But my favorite is the lotus: it emerges from the mud unstained, bathed by clear waters yet never coquettish. A symbol of purity, modesty, and perfection, it stands serenely, its fragrance spreading far and wide—something to be revered from a distance, not to be sullied. To me, the chrysanthemum is the hermit among flowers, the peony the aristocrat, and the lotus the true gentleman. Alas, few have loved the chrysanthemum since Tao Yuanming, and none love the lotus as I do. The peony, however, is adored by many."
This passage came to mind the first time I saw Paola Tacchetti dance tango. It was many years ago in Buenos Aires. She was still very young then, dancing socially at Salon Canning. Amid a crowd of seasoned dancers, she stood out—like a lotus rising gracefully above the water. Her partner, a well-known milonguero, kissed her hand after their dance, a gesture of admiration that left a lasting impression on me.
I was reminded of the essay again recently while watching some old videos of Paola dancing from that same period. Her style captivated me then, and it still does now. She dances with an effortless authenticity, free of pretense. There is a quiet, intrinsic beauty in her movement—one that stands in stark contrast to the contrived and showy trends so common today. Such innocence in tango is rare nowadays.
Tango reflects a dancer's character, values, aesthetic sensibilities, and taste. True beauty is like the lotus—gentlemanly in spirit: natural, simple, modest, and sincere, never ostentatious or arrogant. I hope Zhou Dunyi’s words might inspire more dancers to embody this spirit, just as Paola Tacchetti does—especially in our current age of spectacle and artifice.
January 5, 2024
Learning from a Talented Tango Girl
I was impressed by the skills, grace, musicality and control this little girl displayed in her dance, and believe adult dancers can learn something from her.
Here are few highlights from this dance.
Salida with forward step (0:07-0:14)
In a normal salida, the two partners step in parallel to the same side. But in this case the man alone took a side step to the left, while the girl swiveled her hips and took a forward rather than side step with her right leg, enabling her left leg to take another forward step and pivot, and her right leg to do a slow and beautiful planeo.
Split-leg turn and sandwich (0:26-0:31)
Most adult dancers do not spread their legs like a compass when turning, but this girl does that a lot, and she does it often in a reduced speed, adding grace to the movement. In this example, her split-leg turn is followed by a pause as the man sandwithed her, she then collected her leg and did a delicious curtsy, all executed flawlessly.
Barrida (0:33-0:36, 1:32-1:37)
The girl stepped forward with her right leg (or in the second case stepped back with her left leg) to allow the man to do a barrida—sweeping her right leg to the right with his right leg. She followed by collecting her left leg until her foot touched his foot, then crossing over to land on the other side of his foot. Barrida is generally an unobtrusive move, but her execution left an impression on me, mainly due to her control over the speed of the movement.
Ocho in slow motion (0:36-0:41)
Here the girl did an ocho at a deliberately slower pace. She knows how to dance fast, but she chooses to do some moves in slow motion, showing very good judgment. Most adult dancers don't care if they actually draw an 8 on the floor when they dance ocho, but this girl did just that carefully, making her ocho particularly beautiful.
Planeo (0:43-0:45)
This is another elegant planeo, also executed in slow motion. Adult dancers tend to exaggerate their movements, such as lowering the knee to create a larger planeo that is closer to the ground. But this girl's movements all look natural, without exaggeration, and the result is better, in my opinion, with innocent beauty.
Moving backwards with front ocho (1:40-1:45)
Another example of ocho at slower pace. This time she used greater hip rotation to move backward with a front ocho. Most adult dancers turn too hastily, so their ocho lacks the beauty it deserves. This girl, however, is particularly good at using slow motion to show the grace of her movements, espcially when involving rotation, demonstrating excellent musicality, control, and aesthetic sense.
Sandwich (2:10-2:19)
Another sandwich in slow motion with a captivating deep knee flexion.
Overall, I was very impressed by this little girl's sophistication, or rather, talent. I hope that adult dancers can learn the ease with which she dances, in particular, learn to slow down the pace when doing turns, pivots, ochos, and planeos, because, as this little girl demonstrated, that will add grace to the dance. This means that leaders also need to slow down the pace to allow women to infuse elegance to their performance.
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