Femininity and Feminism in Tango (I)

From the dawn of time, men and women have been each other’s closest companions. Men are drawn to women, treating them with more generosity and care than they do other men. They choose women as their life partners, work tirelessly for those they love, and would even lay down their lives for them. Women, too, seek to captivate men, win their hearts, and place their trust in them. They devote their love, unite with them, and follow their lead. Men and women cherish, need, support, and complete each other. Their bond has, for the most part, been a love story (see Tango and Gender Interdependence).

In the milongas of Buenos Aires, I witnessed this love story. I found myself experiencing beautiful connections with Argentine women. At first glance, Argentine women do not strike me as more beautiful than others, but once I danced with them, they left a lasting impression. They are tender, gentle, obedient, affectionate, sentimental, and seductive. They dress with femininity, often adorned with flowers. They meet your gaze to capture your attention and respond to your cabeceo with a smiling nod. They embrace you warmly with their breasts pressing intimately against your chest. They twist their bodies in your arms, entwine themselves around you, and entangle their legs with yours. Femininity is not their weakness but a strength—one they wield effortlessly to make you feel special. They may be professors, doctors, or CEOs in their professional lives, but in the milongas, they are simply pure, natural, and lovely women. It is no accident that tango was born from them; it lives in their blood. Argentine women are the very incarnations of femininity and passion. Dancing with them is truly one of life’s most exhilarating experiences (see The Gender Expression in Tango).

Without femininity, tango would not be the same. Tango requires men to be strong, decisive, dependable, protective, and considerate, and women to be soft, loving, obedient, agreeable, and graceful. Just as in life, men and women play distinct yet complementary roles in tango (see The Gender Roles in Tango). One is like the sturdy branches of a tree, the other its delicate leaves—together, they form a masterpiece of nature. One is the brush, the other the paint—together, they create a work of art. In Europe and North America, however, feminism has reshaped gender dynamics, and some women now challenge these traditional roles in tango. They dismiss gender distinctions, reject the notion of surrender, and resist men's lead. They demand that macho posturing and gender inequality be removed from tango, insisting on maintaining independence by dancing in an open dance hold to keep a distance from men. They ask men not to lead them but only to suggest movements while respecting how they choose to interpret. They assert their rights to interrupt the lead, initiate their own steps, reverse gender roles, and form same-sex partnerships. In short, they want tango to be a gender-neutral dance, and the milonga to be like a workplace where everyone behaves in a politically correct manner (see Tango and Gender Equality).

The increasing masculinization of women in Europe and North America has undeniably altered the way tango is danced in these societies, where the modern way of living encourages women to wear uniforms, conceal their gender identities, and strive for career success in competitive environments like men. Many prioritize ambition over family, and independence over relationships. They refuse to be treated as "the weaker sex," pushing for laws that ensure women’s rights and equal opportunities. As a result, women see themselves less and less as women and more and more like men. To compete with men, women need to be tough, strong, ambitious, and aggressive—traits traditionally associated with masculinity. Many become mean, sloppy, overweight, or indifferent to their appearance, as they no longer care how men perceive them. They raise daughters who adopt the same traits, expecting them to compete with men as they grow up. Violent women breed violent murderers, as the world has just witnessed in Newtown, Connecticut. When women forsake their gentle, loving nature, the balance between the sexes erodes. Relationships suffer, families disintegrate, and children grow up without the warmth of traditional parental roles. As femininity diminishes, so too does its allure to men, who may seek companionship elsewhere. You wonder why same-sex relationships has become a growing discourse in our society? When women lose the soft, gentle, and loving qualities that balance men’s aggression, the world becomes a more dangerous place.

Femininity is to humanity what greenery is to the earth—it brings balance, beauty, and life. I feel a deep nostalgia for the lost femininity in many modern women, and I believe the world shares this sentiment, which is why more and more people around the globe find Argentine women and their dance so captivating. If you dance enough tango, as Argentine women do, you will understand that turning women into men doesn’t work in tango, just as it has caused more problems than it has solved in other societal discourses. That being said, I remain hopeful thanks to Argentine tango, because, in tango, men and women must be who they are created to be for their common good—different yet complementary, distinct yet balanced, divergent yet interdependent, and opposite but equal. (See Femininity and Feminism in Tango (II).)